• Glenn Wilson
    Anne Boone Johnson: I was staying in a 300-year-old hacienda, now an inn owned by a friend of mine, in a room next door to a couple from Guadalajara and their two girls, ages eight and ten. I'd joined the family in the patio when the young girls suddenly shouted, "Es una callejoneada," hearing the music of the approaching wedding procession before I did.

    As the chicas raced toward the intricate wrought-iron gate separating the patio from the cobblestone street, their enthusiasm was contagious. Although over the years I had seen quite a few joyous callejoneadas unique to the state of Guanajuato –and particularly popular in San Miguel with its beautiful Parroquia– I ran after them.

    The heavy gate clanged shut behind us. Just in time we arrived to see a burro festooned with colorful flowers approaching, two bottles of tequila hanging from either side, leading the celebratory procession. Following immediately behind was a mariachi band in sombreros and black suits studded with metallic silver. Their lively music seemed to reverberate from the colonial stone walls up to the heavens. The band was followed in turn by two mojigangas, giant paper maché dolls dressed as a bride and groom that gaily danced and nimbly whirled about, the "groom" flinging his fake arms wildly.

    Continue reading at Lokkal: Un Brindis / A Toast. More #Lokkal.

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